Often considered one of the first examples of Italian neo-realism, Luchino Viscontis first film was this adaptation of James M. Cains steamy novel The Postman Always RingsTwice, which would also be made twice in the US, first in 1946 with Lana Turner and John Garfield and then in 1981 with Jack Nicholson and Jessica Lange. Massimo Girotti stars as a drifter named Gino, who gets a job at a provincial inn. The handsome wanderer attempts to resist the advances of Giovanna (Clara Calamai), the estranged wife of nasty innkeeper Bragana (Juan De Landa), but he eventually gives in. Gino then allows her to talk him into killing Bragana to get the insurance money, with predictable results. Although the melodramatic story is a far cry from the post-war social statements of such later neorealist classics as Roberto Rossellinis Rome Open City (1945) and Vittorio DeSicas Bicycle Thieves (1948), the movie began to feature some of neo-realisms defining characteristics: above all, an emphasis on outdoor shooting and natural light and a relentless focus on the lives of the poor. Ossessione caused a sensation not just because of its lurid subject matter but also because Viscontis realist style makes you practically feel the heat and dirt and sweat of the films environment. ~ Robert Firsching, All Movie Guide